Jan Dismas Zelenka (1679 - 1745)
Werkverzeichnis
ZWV |
Messen |
Jahr |
Besetzung / Anmerkungen |
1 |
Missa Sancta Caeciliae in G-Dur |
ca. 1711 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
2 |
Missa Judica me in F-Dur |
1714 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
3 |
Missa Corporis Domini in C-Dur |
ca. 1719 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
4 |
Missa Sancti Spiritus in D-Dur |
1723 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
5 |
Missa Spei in C-Dur |
1724 |
Verloren |
6 |
Missa Fidei in C-Dur |
1725 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
7 |
Missa Paschalis in D-Dur |
1726 |
Soli und Chor:Sopran, Alt, Tenor, Bass, |
8 |
Missa Nativitatis Domini in D-Dur |
1726 |
Soli und Chor:
Sopran, Alt, Tenor, Bass, |
9 |
Missa Corporis Domini in D-Dur |
ca. 1727 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
10 |
Missa Charitatis in D-Dur |
1727 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
Missa Circumcisionis D.N.J.C. in D-Dur |
1728 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
|
12 |
Missa Divi Xaverii in D-Dur |
1729 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
13 |
Missa Gratias agimus tibi in D-Dur |
1730 |
Soli: 2 Sopran, 2 Alt, Tenor, Bass, Chor: Sopran,
Alt, Tenor, Bass, |
14 |
Missa Sancti Josephi in D-Dur |
ca. 1731 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
15 |
Missa Eucharistica in D-Dur |
1733 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
16 |
Missa
Purificationis BVM in D-Dur |
1733 |
Soli: 2 Sopran, Alt, Tenor, Bass, Chor: Sopran, Alt,
Tenor, Bass, |
17 |
Missa Sanctissimae Trinitatis in A-Moll |
1736 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
Missa Votiva in E-Moll |
1739 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
|
19 |
Missa Dei Patris in C-Dur Missa Ultimarum Prima |
1740 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
Missa Dei Filii in E-Moll? / C-/G-Dur? Missa Ultimarum Secundat |
ca. 1740 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
|
21 |
Missa Omnium Sanctorum in A-Moll - Missa Ultimarum Sexta et forte Omnium Ultima |
1741 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
22 |
Missa Sancti Blasii in C-Dur |
? |
Unklare Zuschreibung |
23 |
Missa in D-Dur |
? |
Unklare Zuschreibung |
ZWV |
Messen / Sätze |
Jahr |
Besetzung / Anmerkungen |
26 |
Kyrie, Sanctus, Agnus Dei in D-Moll |
ca. 1723 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
27 |
Kyrie in A-Moll |
1725 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
28 |
Kyrie in D-Moll |
? |
a 4; |
29 |
Christe eleison in E-Moll |
ca. 1740 |
Solo: Alt,
|
30 |
Gloria in F-Dur |
1724 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
31 |
Credo in D-Moll |
ca. 1728 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
32 |
Credo a due chori in F-Dur |
ca. 1724 |
Chor I: Sopran, Alt, Tenor, Bass, |
33 |
Credo in G-Moll |
ca. 1725 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
34 |
Sanctus, Agnus in G-Moll |
ca. 1728 |
Chor:
Sopran, 2 Alt, Tenor, Bass, |
35 |
Sanctus in A-Moll |
1725 |
Chor: Sopran, Alt, Tenor, Bass, |
36 |
Sanctus in D-Moll |
ca. 1728 |
Chor:
Ssopran, Alt, TenorTB, |
37 |
Agnus Dei in C-Dur |
ca. 1723 |
Solo: Bass, Chor: Sopran, Alt, Tenor, Bass, |
38 |
Agnus Dei, in G-Dur |
1725 |
Soli: Sopran, Chor: Sopran, Alt, Tenor, Bass, |
39 |
Agnus Dei in G-Moll |
? |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
ZWV |
Requiems und Totenmessen |
Jahr |
Besetzung / Anmerkungen |
45 |
Requiem in C-Moll |
? |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
46 |
Requiem in D-Dur |
1733 |
Soli: Sopran,
Alt, Tenor, BassB, Chor: Sopran, Alt, Tenor, Bass, |
47 |
Invitatorium, Lectiones, et Responsoria |
1733 |
Soli und Chor:
Sopran, Alt, Tenor, Bass, |
48 |
Requiem in D-Moll |
ca. ab 1721/22 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
49 |
Requiem in F-Dur |
vor 1730 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
50 |
De Profundis in D-Moll |
1724 |
Soli: Alt,
Tenor, 3 Bass, Chor: Sopran, Alt, Tenor, Bass, |
ZWV |
Werke für die Karwoche |
Jahr |
Besetzung / Anmerkungen |
53 |
6 Lamentationes pro hebdomada in C-Moll, F-Dur, B-Dur, G-Moll, A-Dur, F-Dur |
1722 |
Soli: Alt, Tenor, Bass, |
54 |
3 Lamentationes pro hebdomada in B-Dur, F-Dur, F-Dur |
1723 |
Soli: Alt,
Tenor, Bass, |
55 |
27 Responsoriae pro hebdomada |
1723? |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
56 |
Miserere in D-Moll |
1722 |
Soli: Sopran,
Tenor, Bass, Chor: Sopran, Alt, Tenor, Bass, |
57 |
Miserere in C-Moll (Psalm 51) |
1738 |
Solo: Sopran, Chor: Sopran, Alt, Tenor, Bass, |
58 |
Immisit Dominus pestilentiam |
1709 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
59 |
Attendite et videte |
1712 |
Soli: Sopran, Alt, Tenor, Bass, Chor: Sopran, 2 Alt,
2 Tenöre, 2 Bass |
60 |
Deus Dux fortissime |
1716 |
Soli: Sopran, Alt, Bass, Chor I: Sopran, Alt, Tenor,
Bass, |
61 |
Il Seperpente del bronzo,
(Oratorio) |
1730 |
Soli: Sopran, 2 Alt, Tenor, Bass, Chor I: Sopran,
Alt, Tenor, Bass, |
62 |
Gesù al Calvario, (Oratorio) |
1735 |
Soli: 2 Sopran,
3 Alt, Chor: Sopran, Alt, Tenor, Bass, |
63 |
I penitento al Sepolchro del Redentore,
(Oratorio) |
1736 |
Soli: Alt,
Tenor, Bass, Chor: Sopran, Alt, Tenor, Bass, |
ZWV |
Psalmen, Magnificat und Hymnen-Sätze |
Jahr |
Besetzung / Anmerkungen |
66 |
Dixit
Dominus in A-Moll |
ca. 1725 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
67 |
Dixit Dominus in C-Dur |
ca. 1728 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
68 |
Dixit Dominus in D-Dur (Psalm 109) |
1726 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
69 |
Dixit Dominus in F-Dur |
ca. 1728 |
Verloren |
70 |
Confitebor tibi Domine in A-Moll |
ca. 1728 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
71 |
Confitebor tibi Domine in A-Moll |
1729 |
Solo: Bass, |
72 |
Confitebor tibi Domine in C-Moll |
ca. 1725 |
Soli und Chor:
Sopran, Alt, Tenor, Bass, |
73 |
Confitebor
tibi Domine in E-Moll |
ca. 1728 |
Soli und Chor: Sopran, Alt, Tenor, Bass, 2 Oboen; 2 Violinen; Viola; Doppelbass |
74 |
Confitebor tibi Domine in G-Dur |
ca. 1726 |
Verloren |
75 |
Beatus
vir in A-Moll |
1725 |
Solo: Alt, Chor: Sopran, Alt, Tenor, Bass, |
76 |
Beatus vir in D-Dur |
1726 |
Soli und
Chor:Sopran, Alt, Tenor, Bass, |
77 |
Beatus vir in D-Moll |
? |
Verloren |
78 |
Laudate pueri in A-Dur |
ca. 1726 |
Verloren |
79 |
Laudate pueri in A-Moll |
ca.1728 |
Verloren |
80 |
Laudate pueri in A-Moll |
? |
Verloren |
81 |
Laudate pueri in D-Dur |
ca. 1729 |
Solo: Tenor (Sopran), |
82 |
Laudate pueri in F-Dur |
ca. 1725 |
Solo: Bass, Chor: 2 Sopran, Alt, |
83 |
In exitu Israel in D-Moll |
ca. 1725 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
84 |
In exitu Israel in G-Moll |
ca. 1728 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
85 |
Credidi in A-Moll |
ca. 1728 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
86 |
Laudate Dominum in F-Dur |
? |
Verloren |
87 |
Laudate Dominum in F-Dur |
ca. 1728 |
Solo: Tenor, Chor: Sopran, Alt, 2 Tenöre, Bass, |
88 |
Laetatus sum in D-Dur |
ca. 1726 |
Soli:
Sopran, Alt, Chor: Sopran, Alt, Tenor, Bass, |
89 |
Laetatus sum in D-Dur |
? |
Verloren |
90 |
Laetatus sum in A-Dur (Psalm 122) |
ca. 1730 |
Verloren |
91 |
In convertendo in G-Moll |
ca. 1728 |
Soli: Sopran, Alt, Tenor, Chor: Sopran, Alt, Tenor,
Bass, |
92 |
Nisi Dominus in A-Moll |
ca. 1726 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
93 |
Nisi Dominus in A-Moll |
? |
Verloren |
94 |
Beati omnes in G-Moll |
ca. 1728 |
Soli: Sopran, Alt, Tenor, Chor: Sopran, Alt, Tenor,
Bass, |
95 |
De profundis in A-Moll |
1728 |
à 4; |
96 |
De profundis in A-Moll |
ca. 1727 |
Soli: Tenor, Bass, Chor: Sopran, Alt, Tenor, Bass, |
97 |
De profundis in D-Moll |
ca. 1724 |
Soli: Alt, Tenor, 3 Bass, Chor: Sopran, Alt, Tenor,
Bass, |
98 |
Memento Domine David in E-Dur (Psalm 132) |
ca. 1728 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
99 |
Ecce nunc benedicite in A-Moll |
ca. 1739 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
100 |
Confetibor tibi Domine in B-Dur |
ca. 1728) |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
101 |
Domine probasti me in F-Dur |
ca. 1728 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
102 |
Lauda Jerusalem in A-Moll |
ca. 1728 |
Chor: Sopran, Alt, Tenor, Bass, |
103 |
Lauda Jerusalem in D-Moll |
ca. 1728 |
Verloren |
104 |
Lauda Jerusalem in F-Dur |
ca. 1727 |
Solo: Tenor, Chor: Sopran, Alt, Tenor, Bass, |
106 |
Magnificat in A-Moll |
? |
Verloren |
107 |
Magnificat in C-Dur |
ca. 1727 |
Solo: Sopran, Chor: Sopran, Alt, Tenor, Bass, |
108 |
Magnificat in D-Dur |
1725 |
Soli: Sopran, Alt, Chor: Sopran, Alt, Tenor, Bass, |
110 |
Ave maris stella in D-Moll |
ca. 1726 |
Soli:
Sopran, Alt, Chor: Sopran, Alt, Tenor, Bass, |
111 |
Creator alme siderum in D-Moll |
1725 |
Soli: Sopran, Alt, Chor: Sopran, Alt, Tenor, Bass, |
112 |
Crudelis Herodes in G-Moll |
1732 |
Chor:
Sopran, Alt, Tenor, Bass, |
113 |
Deus tuorum militum in C-Dur |
ca. 1729 |
Chor: Sopran, Alt, Tenor, Bass, |
114 |
Exesultet orbis gaudiis in C-Dur |
ca. 1730 |
Chor: Sopran, Alt, Tenor, Bass, |
115 |
Jam sol recessit in D-Moll |
ca. 1726 |
Chor:
Sopran, Alt, Tenor, Bass, |
116 |
Jesu corona virginum in D-Moll |
ca. 1729 |
Chor:
Sopran, Alt, Tenor, Bass, |
117 |
Iste confessor in A-Moll |
ca. 1729 |
Chor: Sopran, Alt, Tenor, Bass, |
118 |
Ut queant laxis in D-Moll |
ca. 1726 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
119 |
Veni Creator Spritus in E-Dur |
ca. 1726 |
Chor:
Sopran, Alt, Tenor, Bass, |
120 |
Veni Creator Spritus in A-Moll |
ca. 1729 |
Chor: Sopran,
Alt, Tenor, Bass, |
ZWV |
Wechselgesänge zu Ehren Mariens |
Jahr |
Besetzung / Anmerkungen |
123 |
Alma Redemptoris Mater in A-Dur |
ca. 1727 |
Solo:
Sopran, |
124 |
Alma Redemptoris Mater in A-Moll |
ca. 1725 |
Chor: Sopran, Alt, Tenor, Bass, |
125 |
Alma Redemptoris Mater in A-Moll |
ca. 1729 |
Chor:
Sopran, Alt, Tenor, Bass, |
126 |
Alma Redemptoris Mater IN D-Dur |
ca. 1730 |
Solo: Alt,
|
127 |
Alma Redemptoris Mater in D-Moll |
ca. 1728 |
Soli: Sopran, Alt, |
128 |
6 Ave |
1737 |
Chor: Sopran, Alt, Tenor, Bass, Doppelbass
(#1,2,3,4), |
129 |
3 Regina coeli in C-Dur, A-Moll, C-Dur |
nach 1728 |
Chor: Sopran, Alt, Tenor, Bass, |
130 |
|
1729 |
Chor: 2
Sopran, Soli: 2 Sopran, Alt, Tenor, Bass, |
131 |
|
? |
Verloren |
132 |
Regina coeli in C-Dur |
? |
Verloren |
133 |
Regina coeli in D-Dur |
ca. 1731 |
Unvollständige Szene |
134 |
Regina coeli laetare in F-Dur |
ca. 1726 |
Soli:
Sopran, Alt, |
135 |
Salve Regina, mater misericordiae in
A-Moll |
1730 |
Solo: Sopran, |
136 |
Salve |
ca. 1727 |
Chor:
Sopran, Alt, Tenor, Bass, |
137 |
Salve |
? |
Chor: Sopran, Alt, Tenor, Bass, |
138 |
2 Salve Regina in C-Dur, D-Dur |
? |
Verloren |
139 |
Salve |
1724 |
Solo: Bass, |
140 |
Salve |
ca. 1725 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
141 |
Salve |
? |
Chor: Sopran, Alt, Tenor, Bass, |
ZWV |
Te Deum-Sätze, Litaneien, Prozessionen |
Jahr |
Besetzung / Anmerkungen |
145 |
Te Deum in D-Dur |
ca. 1724 |
Soli und Chor: 2 Sopran, Alt, Tenor, Bass, |
146 |
Te Deum in D-Dur |
1731 |
Soli und Chor I: Sopran, 2 Alt, Tenor, Bass, Chor
II: Sopran, Alt, Tenor, Bass, |
147 |
Litaniae de Venerabili Sacramento in C-Dur |
1727 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
148 |
Litaniae de Venerabili |
1729 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
149 |
Litaniae Lauretanae in C-Dur |
1718 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
150 |
Litaniae Lauretanae in G-Dur |
1725 |
Chor: Sopran, Alt, Tenor, Bass |
151 |
Litaniae Lauretanae 'Consolatrix
afflictorum' in G-Dur |
1744 |
Solo: Sopran, Chor: Sopran, Alt, Tenor, Bass, |
Litaniae Lauretanae 'Salus infirmorum' in F-Dur |
1744 |
Soli: Sopran, Alt, Tenor, Chor: Sopran, Alt, Tenor,
Bass, |
|
153 |
Litaniae Omnium Sanctorum in A-Moll |
Ca. 1735 |
Soli und Chor:Sopran, Alt, Tenor, Bass, |
154 |
Litaniae Xaverianae in D-Dur |
1723 |
Soli: Sopran, Alt, Tenor, 3 Bass, Chor: Sopran, Alt,
Tenor, Bass, 2 Trompeten; Timpani/Pauke; 2 Oboen; 2 Violinen; 2
Violas; Doppelbass |
155 |
Litaniae
Xaverianae in C-Moll |
1727 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
156 |
Litaniae de Sancto Xaverio in F-Dur |
1729 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
157 |
10 Sub tuum praesidium in G-Moll, C-Moll, D-Moll, D-Moll, E-Moll, F-Dur, G-Moll, G-Dur, D-Moll, G-Moll |
1734 |
Chor:
Sopran, Alt, Tenor, Bass, |
158 |
Statio quadruplex pro Processione Theophorica in
B-Dur |
vor 1710 |
Chor:
Sopran, Alt, Tenor, Bass, |
159 |
Pange lingua 'pro stationibus Theophoriae' in C-Moll |
? |
Teile verloren |
ZWV |
Kleine Lithurgische und Geistliche Werke |
Jahr |
Besetzung / Anmerkungen |
161 |
Angelus Domini descendit (Offertorium) in A-Dur |
1723 |
Solo: Sopran, Chor: Sopran, Alt, Tenor, Bass, |
162 |
O sponsa amata; Sion salvatorem, 2 Arias in D-Dur, G-Dur |
? |
Unklare Zuschreibung |
163 |
4 Asperges me in F-Dur, F-Dur, G-Dur, G-Dur |
ca. 1724 |
Chor:
Sopran, Alt, Tenor, Bass, |
164 |
Barbara dira effera (Motette) in
F-Dur |
ca. 1733 |
Solo: Alt,
|
165 |
Chvalte Boha silného (Motette) in G-Dur (Psalm 150) |
1725 |
Solo: Bass, |
166 |
Currite ad aras (Offertorium) in C-Dur |
1716 |
Solo: Tenor, Chor: Sopran, Alt, Tenor, Bass, |
167 |
Da pacem Domine in B-Dur |
ca. 1740 |
Chor I: Sopran, Alt, Tenor, Bass, Chor II: Sopran,
Alt, Tenor, Bass, |
168 |
Gaude laetare (Motette) in A-Dur |
1731 |
Solo: Tenor, |
169 |
Haec dies (Hymne) in C-Dur |
1730 |
Soli und Chor: Sopran, Alt, Tenor, Bass, |
170 |
Haec dies (Hymne) in F-Dur |
ca. 1726 |
Chor: Sopran, Alt, Tenor, Bass, |
171 |
O magnum mysterium (Motette) in F-Dur |
1723 |
Solo: Alt,
|
172 |
Pro, quos criminis (Hymne) in F-Dur |
1723 |
Solo:
Tenor, |
ZWV |
Weltliche Lieder |
Jahr |
Besetzung / Anmerkungen |
175 |
Sub olea pacis: Melodrama de Sancto
Wenceslao |
1723 |
Soli und
Chor: Sopran, Alt, Tenor, Bass, |
176 |
8 Italienische Arien in A-Dur, D-Moll, E-Dur, A-Dur, A-Moll, E-Dur, D-Dur, C-Dur |
1733 |
Solo: Sopran, (#1,2,4,5,7), Solo: Alt, (#3,6), Solo:
Bass, (#8); |
177 |
Il Diamante Serenata |
1737 |
Soli: 4
Sopran, Alt, Chor: Sopran, Alt, Tenor, Bass, |
178 |
2 "Crab canons" 'Emit amor' in C-Dur, C-Dur |
ca. 1723) |
a 4 (#1), a 2 (#2) |
179 |
Cantilena circularis 'Vide Domine' in C-Dur |
1722 |
a 4 |
ZWV |
Instrumentale Werke |
Jahr |
Besetzung / Anmerkungen |
181 |
6 Trio- bzw. Quatro-Sonatas in F-Dur,
G-Moll, B-Dur, G-Moll, F-Dur, C-Moll |
ca. 1721 |
2 Oboen (#3: Oboe, & Violine); Fagott; Doppelbass |
Capriccio Nr. 1 in D-Dur |
ca. 1717 |
2 Hörner; 2 Oboen; Fagott; 2 Violinen; Viola; Doppelbass |
|
183 |
Capriccio Nr. 2 in G-Dur |
1718 |
2 Hörner; 2 Oboen; Fagott; 2 Violinen; Viola; Doppelbass |
184 |
Capriccio Nr. 3 in F-Dur |
ca. 1718 |
2 Hörner; 2 Oboen; Fagott; 2 Violinen; Viola; Doppelbass |
185 |
Capriccio Nr. 4 in A-Dur |
1718 |
2 Hörner; 2 Oboen; Fagott; 2 Violinen; Viola; Doppelbass |
186 |
Concerto à 8 Concertanti in G-Dur |
1723 |
Oboe; Fagott; 2 Violinen; Viola; Violoncello;
Doppelbass |
187 |
Hipocondrie à 7 Concertanti in A-Dur |
1723 |
2 Oboen; Fagott; 2 Violinen; Viola; Doppelbass |
188 |
Overture à 7 Concertanti in F-Dur |
1723 |
2 Oboen; Fagott; 2 Violinen; Viola; Doppelbass |
189 |
Simphonie à 8 Concertanti in A-Moll |
1723 |
2 Oboen; Fagott; 2 Violinen; Viola; Violoncello; Doppelbass
|
190 |
Capriccio Nr. 5 in G-Dur |
1729 |
2 Hörner; 2 Oboen; Fagott; 2 Violinen; Viola; Doppelbass |
191 |
9 Canoni auf dem Hexachord in C-Dur |
ca. 1721 |
Auswahl verlorener, unklarer oder falsch zugeschriebener Werke |
200 |
Missa in C-Dur |
? |
|
201 |
Credo in D-Dur |
? |
|
202 |
Sanctus, Agnus in G-Dur |
ca. 1725 |
|
203 |
Lamentationes Ieremiae Prophetae |
? |
|
204 |
Salve |
ca. 1719 |
|
205 |
Salve |
? |
|
206 |
Benedictus Dominus in G-Moll |
ca. 1723 |
Chor:
Sopran, Alt, Tenor, Bass, |
207 |
Bendedictus sit Deus Pater in D-Dur |
ca. 1729 |
|
208 |
Graduale Propter veritatem in F-Dur |
? |
|
209 |
Sollicitus fossor (Motette) in D-Dur |
ca. 1730 |
|
210 |
Veni Sancte Spiritus in G-Dur |
ca. 1739 |
|
211 |
Qui nihil sortis felicitis (Motette) in B-Dur |
1730 |
Soli:
Sopran, Alt, |
212 |
6 Trompeten-Fanfaren in C-Dur |
ca. 1722 |
|
213 |
Messe in D-Dur, Domenico Sarri (1679-1744) |
? |
|
214 |
Messe in D-Dur, Carlo Baliani |
ca. 1719 |
|
215 |
Messe in G-Moll, Francesco Conti (1670-1747) |
? |
|
216 |
Credo in D-Dur |
? |
|
217 |
Salve Regina duplex in F-Dur, Gallus Zeiler (1705-1755) |
? |
|
218 |
Salve Regina, Anton Reichenauer |
? |
|
219 |
Salve Regina, Valentin Rathberger (1682-1750) |
? |
|
220 |
18 Cantiones sacrae, Giovianni Palestrina (1525-1594) - zweites Motetten-Buch 1592 |
? |
|
221 |
O sing unto the Lord, (Anthem/Hymne), Transkription, 19. Jahrhundert |
? |
|
230 |
Agnes Dei in A-Moll |
? |
Im Inventar aufgeführt |
231 |
Aria animae poenitentis in C-Moll |
? |
Im Inventar aufgeführt |
232 |
Ave |
? |
Im Inventar aufgeführt |
233 |
Eja triumphos pangite (Offertorium) in C-Dur |
vor 1715? |
Chor:
Sopran, Alt, Soli: Sopran, Alt, Tenor, Bass, |
234 |
Gaudia mille (Motette) in C-Dur |
? |
Im Inventar aufgeführt |
236 |
Iste Confessore (Hymne) in C-Dur |
? |
Im Inventar aufgeführt |
240 |
Missa Sanctae Conservationis |
? |
Verloren |
241 |
Missa Theophorica a 2 Cori |
? |
|
242 |
Missa tranquilli animi |
? |
|
243 |
Quid statis. De Beata Virgine Maria |
? |
Im Inventar aufgeführt |
245 |
Via laureata (Schul-Drama) |
1704 |
Verloren |
247 |
Requiem |
1724? |
|
??? |
Missa in honorem B. Alberti Magni in D-Dur (aus: Grodzisk Wielkoposki (Polen)) |
? |
|
??? |
Missa in D-Dur (aus: Grodzisk Wielkoposki (Polen)) |
? |
|